
One of the most original and controversial thinkers of the twentieth century, Italian polymath Pier Paolo Pasolini embodied a multitude of often seemingly contradictory ideologies and identities—and he expressed them all in his provocative, lyrical, and indelible films. Relentlessly concerned with society’s downtrodden and marginalized, he elevated pimps, hustlers, sex workers, and vagabonds to the realm of saints, while depicting actual saints with a radical earthiness. Traversing the sacred and the profane, the ancient and the modern, the mythic and the personal, the nine uncompromising, often scandal-inciting features he made in the 1960s still stand—on this, the 101st anniversary of his birth—as a monument to his daring vision of cinema as a form of resistance.
9 films

1961 • Italy • 1h 57m

1962 • Italy • 1h 50m

1964 • Italy • 1h 28m

1964 • Italy • 2h 17m

1966 • Italy • 1h 25m

1967 • Italy • 1h 45m

1968 • Italy • 1h 35m

1969 • Italy • 1h 39m

1969 • Italy • 1h 58m
Unavailable