Collections/March 2022
Pier Paolo Pasolini’s ability to simultaneously embrace conflicting philosophies—he drew from Marxism and Catholicism; and he lived a thoroughly modern, openly gay life while looking to the distant past for inspiration and comfort—was matched by the multifariousness of his artistic output as a filmmaker, poet, journalist, novelist, playwright, painter, actor, and all-around public intellectual. Outside Italy, though, he remains best known for his restless and subversive body of film work. After scripting the sly sexual satire Il bell’Antonio , he soon moved to directing, applying Catholic iconography to gutter-level tales of street life like Mamma Roma , which gave Anna Magnani one of her greatest roles as a middle-aged sex worker. From there, the outspoken and always political Pasolini’s films became increasingly…
11 films — 7 on the Channel, 4 unavailable

1967