
This film by Tomás Gutiérrez Alea is the most renowned work in the history of Cuban cinema. After his wife and family flee in the wake of the Bay of Pigs invasion, the bourgeois intellectual Sergio (Sergio Corrieri) passes his days wandering Havana in idle reflection, his amorous entanglements and political ambivalence gradually giving way to a mounting sense of alienation. With this adaptation of an innovative novel by Edmundo Desnoes, Gutiérrez Alea developed a cinematic style as radical as the times he was chronicling, creating a collage of vivid impressions through the use of experimental editing techniques, archival material, and spontaneously shot street scenes. Intimate and densely layered, MEMORIES OF UNDERDEVELOPMENT provides an indictment of its protagonist’s disengagement and an extraordinary glimpse of life in postrevolutionary Cuba. Restored by the Cineteca di Bologna at L’Immagine Ritrovata laboratory in association with Instituto Cubano del Arte e Industria Cinematográficos (ICAIC). Restoration funded by the George Lucas Family Foundation and The Film Foundation’s World Cinema Project.
via Criterion Collection
Gael Garcia Bernal
Dec 2023

The Revolutionary Subjectivity of MEMORIES OF UNDERDEVELOPMENT

B. Ruby Rich and José Antonio Évora on MEMORIES OF UNDERDEVELOPMENT

Tomás Gutiérrez Alea on MEMORIES OF UNDERDEVELOPMENT Audio Interview

Daisy Granados on MEMORIES OF UNDERDEVELOPMENT

Edmundo Desnoes on MEMORIES OF UNDERDEVELOPMENT

Nelson Rodríguez on MEMORIES OF UNDERDEVELOPMENT