
Spiritual rapture and institutional hypocrisy come to stark, vivid life in one of the most transcendent masterpieces of the silent era. Chronicling the trial of Joan of Arc in the hours leading up to her execution, Danish master Carl Theodor Dreyer depicts her torment with startling immediacy, employing an array of techniques—expressionistic lighting, interconnected sets, painfully intimate close-ups—to immerse viewers in her subjective experience. Anchoring Dreyer’s audacious formal experimentation is a legendary performance by Renée Falconetti, whose haunted face channels both the agony and the ecstasy of martyrdom.
via Criterion Collection
Oct 2024

THE PASSION OF JOAN OF ARC: About the Frame Rates

About “Voices of Light”

Adrian Utley and Will Gregory on THE PASSION OF JOAN OF ARC

Helene Falconetti on THE PASSION OF JOAN OF ARC

THE PASSION OF JOAN OF ARC: Version History

THE PASSION OF JOAN OF ARC: Production Design

Mary Karr on THE PASSION OF JOAN OF ARC

THE PASSION OF JOAN OF ARC: Gregory and Utley Score

THE PASSION OF JOAN OF ARC: Mie Yanashita Score