Collections/September 2020
You can feel the heat in the swelteringly sensorial films of Argentine iconoclast Lucrecia Martel, who, working in a cinematic vocabulary all her own, creates tantalizingly elliptical, shrewdly incisive commentaries on class, religion, and social hierarchy that have established her as one of the twenty-first century’s major filmmakers. In her early critical triumphs La Ciénaga and The Headless Woman , Martel introduced a startlingly original, fully formed sensibility, marked by off-kilter compositions, a tactile sense of atmosphere, and a caustic perspective on the hypocrisies of Argentina’s bourgeoisie. With her latest feature, the hallucinatory literary adaptation Zama , Martel translates her singular vision to the eighteenth century, losing none of her eccentric edge and acerbic bite. Added on Wednesday, 16 September 2020
3 films — 1 on the Channel, 2 unavailable