Latest posts from The Criterion Collection and The Criterion Channel on the site that used to be called Twitter.
40 posts
Criterion Collection@Criterion·
Evening viewing recommendation? On the Criterion Channel, watch THE FACULTY (1998) in our Possessions collection! bit.ly/4jtk1yu
THE BREAKFAST CLUB meets INVASION OF THE BODY SNATCHERS in this a sci-fi horror joyride from Robert Rodriguez starring Josh Hartnett, Clea
Javier Ambrossi's Picks (more to come. . .):
PERSONAL SHOPPER
TIE ME UP! TIE ME DOWN! t.co/5USP6LxLtA
Criterion Collection@Criterion·
Evening viewing recommendation? On the Criterion Channel, watch CREEPY (2016) in our Directed by Kiyoshi Kurosawa's collection! bit.ly/4B86ZwJ
Kurosawa, who made his international reputation with the horror masterpieces CURE and PULSE (both also playing on the
Our new 4K + Blu-ray edition of MIDNIGHT COWBOY enters comes to Criterion in January! criterion.com/films/29369-midnight-cowb…
One of the British New Wave’s most versatile directors, John Schlesinger came to New York in the late 1960s to make this picaresque story of friendship that captured a
Our new 4K + Blu-ray edition of Bong Joon Ho's PARASITE (2019) enters comes to Criterion in January!
criterion.com/films/30619-parasite
A zeitgeist-defining sensation that distilled a global reckoning over class inequality into a tour de force of pop-cinema subversion, this
This collector’s set gathers four arresting and stylistically distinctive films, ranging from the politically charged to the mythical and dreamlike, from Guinea-Bissau, Brazil, Côte d’Ivoire, and Iran. t.co/I0fTEqDjhk
Next Monday (October 19), join us at Museum of the Moving Image for a live edition of our Criterion Channel original series Adventures in Moviegoing featuring Isaac Mizrahi—legendary fashion designer and subject of the newly restored documentary UNZIPPED! movingimage.org/event/adventures-in-mov…
Evening viewing recommendation? On the Criterion Channel, watch ROAD GAMES (1981) in our Highway Horror collection! bit.ly/4hAQ397
Director Richard Franklin packs plenty of Hitchcockian twists and suspense into this sly shocker—starring Stacy Keach, Jamie Lee Curtis,
✨Ngozi Onwurah’s Closet Picks! ✨
The writer and director of WELCOME II THE TERRORDOME talks about paying homage to Spike Lee through her work, selects emotionally potent films featuring unsympathetic characters, and praises BLACK GIRL as “the most beautiful film that's ever
Celebrating the late, great Udo Kier on his birthday! 🖤🦇🩸⚰️
Now on the Criterion Channel, you can watch two of his most infamous horror collaborations with maverick filmmaker Paul Morrissey: BLOOD FOR DRACULA (1974) and FLESH FOR FRANKENSTEIN (1973). t.co/69kaLJPNr4
ECLIPSE SERIES 5: THE FIRST FILMS OF SAMUEL FULLER is now on Blu-ray! 🖤💿 criterion.com/boxsets/499-eclipse-serie…
His films have been called raw, outrageous, sensational, and daring. In four decades of directing, Samuel Fuller created a legendarily idiosyncratic oeuvre, examining U.S. history
Watch some of Sebastian's great Closet Picks on the Criterion Channel!✨
PARIS, TEXAS
BEYOND THE HILLS
MICHAEL HANEKE: TRILOGY twitter.com/Criterion/status/2109689202…
THE SHOUT (1978), legendary Polish director Jerzy Skolimowski’s tour de force of psychic dread that begins as an ambient murmur and builds to an existential shriek, has entered the collection! 🖤💿 criterion.com/films/27993-the-shout
Nicolas Roeg's masterpiece DON'T LOOK NOW (1973)—a brilliantly disturbing tale of the supernatural, as renowned for its innovative editing and haunting cinematography as for its naturalistic eroticism and its unforgettable climax and denouement—is now playing on the Criterion t.co/UN6bd97ULM
Evening viewing recommendation? On the Criterion Channel, watch David Fincher's THE SOCIAL NETWORK (2010). bit.ly/4dQEXvN
Fincher’s brilliant and unsettling look at the rise of the social-media era goes behind the scenes of early-2000s startup culture to reveal the
A critical and commercial success despite controversy over what the MPAA termed its “homosexual frame of reference,” MIDNIGHT COWBOY became the first X-rated film to receive the Best Picture Oscar, and decades on, its influence still reverberates through cinema t.co/Jq7iaasd7B
A bravura showcase for its director’s meticulously constructed set pieces, bolstered by a brilliant ensemble cast and stunning production design, PARASITE cemented the New Korean Cinema as an undeniable international force when it swept almost every major prize from the Cannes
Each title is a significant contribution to the art form and a window onto a cinematic tradition that international audiences previously had limited opportunities to experience. t.co/SDKui3qpLJ
With its puzzle-box structure, unnerving ambiguity, and otherworldly electronic sound design, this Cannes Film Festival award winner quivers with the primal fear of mysterious and uncontrollable forces. t.co/kfkF6hKu0o
THE SHOUT centers on an experimental composer (John Hurt) and his wife (Susannah York) whose routine existence is upended by the arrival of an enigmatic stranger (a seductively sinister Alan Bates), who claims to possess knowledge of Aboriginal magic and the ability to kill using t.co/2zbdxmk7dY