The Mother and the Whore

After the French New Wave, the sexual revolution, and the upheavals of May 1968 came the near religiously revered magnum opus by Jean Eustache. In his long-unavailable body of work, ranging from documentaries about his native village to closely autobiographical narrative films, Eustache pioneered a forthright and fearless brand of realism. The pinnacle of this innovative style, THE MOTHER AND THE WHORE follows Alexandre (Jean-Pierre Léaud), a Parisian pseudo-intellectual who lives with his tempestuous girlfriend, Marie (Bernadette Lafont), even as he begins a dalliance with the sexually liberated Veronika (Françoise Lebrun), leading the three into an emotionally turbulent love triangle. Through daringly sustained long takes and confessional dialogue, Eustache captures a generation navigating the disillusionment of the 1970s, and in the process achieves an intimacy so deep it cuts.