
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles1975
Both on Jenni Olson’s Top 10, and both directed by Chantal Akerman

Following her time living in New York in the early 1970s, Chantal Akerman returned to the city to create one of her most elegantly minimalist and profoundly affecting meditations on dislocation and estrangement. Over a series of exactingly composed shots of Manhattan circa 1976, the filmmaker reads letters sent by her mother years earlier. The juxtaposition between the intimacy of these domestic reports and the lonely, bleakly beautiful cityscapes results in a poignant reflection on personal and familial disconnection that doubles as a transfixing time capsule.

Included in
Mary Bronstein’s Adventures in Moviegoing
Position 3
Included in
Sight and Sound’s Greatest Films of All Time: Directors’ Poll
Position 46
Included in
Sight and Sound’s Greatest Films of All Time: Critics’ Poll
Position 47
Included in
Female Gaze: Women Directors + Women Cinematographers
Position 4
Included in
New York Stories
Position 27
Included in
Directed by Chantal Akerman
Position 6
Streaming now, and why it pairs with this film

Both on Jenni Olson’s Top 10, and both directed by Chantal Akerman
Or
via Criterion Collection