Bushman

When Paul Okpokam arrived in the U.S. in 1968, David Schickele decided to make a film about his Nigerian friend’s experience of coming to teach at San Francisco State College. Entering American society in a time of cultural upheaval and racial tension, Okpokam is seen by others through the prism of American racism and exoticism. Truth is stranger than fiction in BUSHMAN, a rare sort of film portrait, part document, part imagined, and poetic in its approach to real events.