Adieu Philippine

In his bold yet playful feature debut—an overlooked gem of the French New Wave—Jacques Rozier satirizes several major cultural currents of early-sixties France: political myopia, romantic escapism, and commercial corruption. Young Michel (Jean-Claude Aimini) works as a camera technician for a television studio, where he meets two would-be actresses, Liliane (Yveline Céry) and Juliette (Stefania Sabatini). The duo’s demeaning work in advertising allows them to connect Michel with an unscrupulous director (Vittorio Caprioli), who subsequently stiffs him on a job. Fed up with their exploitative industry, Michel, Liliane, and Juliette head to Corsica for a holiday—and to track down the director—all while a developing love triangle strains the girls’ friendship. With confidence and panache, Rozier expertly employs documentary-style shooting, improvisational acting (among a mostly nonprofessional cast), and kinetic montage sequences to capture the disparity between blithe youth and the societal pressures—especially Michel’s imminent military service in Algeria—that threaten its innocence.