Ceiling

Informed by the director’s experiences working as a fashion model, Věra Chytilová’s remarkably assured graduation film—which she was able to make only by duping state censors with a phony script—mixes vérité observation and New Wave stylistic experimentation to depict the everyday life of a model (Marta Kanovská), the ways in which her body is commodified by the industry, and the alienation she feels.