

United States • 1992
In this short, shot on 16 mm film in 1992, Cauleen Smith employs her alter ego Kelly Gabron and a collage of images, text, and voices in order to fabricate a history in which the presence of Black women is reinserted into histories that often render them invisible.
In this short, shot on 16 mm film in 1992, Cauleen Smith employs her alter ego Kelly Gabron and a collage of images, text, and voices in order to fabricate a history in which the presence of Black women is reinserted into histories that often render them invisible.