Porcile

“I killed my father. I ate human flesh. I quiver with joy.” Provocateur Pier Paolo Pasolini is at his most incendiary in PORCILE (“Pigsty”), a double-edged allegory on fascism, consumerism, and resistance. In one story, a defiant man (Pierre Clémenti) perpetrates increasingly barbaric acts while wandering a mythic, volcanic landscape. In the other, the scion (Jean-Pierre Léaud) of a wealthy, ex-Nazi industrial family conceals a shocking proclivity. Taken together, these stories of transgression form a scathing commentary on postwar European moral rot and the meaning of rebellion in the face of a corrupt world.